Matt Cornell and Wendy Yu

“Look back and see the gallery that the body is”

Wendy Yu

Wendy Yu is a dance or movement artist based in Sydney. Her work has generally been centred around exploring dance outside of it’s theatrical context and placing it on a medium in which viewers may witness the intricacies of movement that bodies, in the space, may achieve. We cover.

  • Matt’s lineage and background
  • Designing interactive Jitter matrix patchworks
  • Apathetic movement
  • Binocular vision: sensing the phenomena and seeing the semiotics
  • Choreographing coding / Aleatoric choreography
  • Phenomenology of seeing dance
  • Charlie, Charlie
  • Having a sense of what could be
  • Working with choreographers that have an extra sense
  • Embodiment
  • ‘Independencies’, as an artist
  • Missing dancing
  • Gallery dance
  • Minisculisation of dance
  • The act of creating a pre-exisiting entity
  • Look back and see the gallery that the body is
  • Preferred methods of choreography: Matt
  • How can we systematise that magic that comes from movement
  • Being a magician or a wizard in choreography
  • The power of dance being in empathy and the notion of apathetic choreography
  • Choreographing for parents, colonial movements
  • Making cheap art
  • Making until you realise what you’re making
  • Valuing extraction to become an object outside of the self, to be viewed, restructuring it rather than restructuring you
  • Frontality
  • Hating Formula 1 into loving
  • Generating movement from data
  • Handling impulse and handling data

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Candy Bowers

“A really hard (glass) ceiling gives you cuts and bruises” (breaking through it leaves scars)

Candy Bowers

Candy Bowers is an award-winning writer, actor, director, theatre maker, social-activist, comedian and producer. The artistic director of Black Honey Company, Candy has pioneered a fierce sub-genre of lyrical theatre that delves into the heart of radical feminist dreaming. We cover.

  • Background: South African | Australian
  • Making people feel tension in performance
  • Explaining the Apartheid
  • Not just whats going on outside of us but also intra-community conversations
  • Using the term Colonial Supremacy instead of white supremacy
  • challenging the conservatism
  • Female roles in theatre performance
  • Perpetuating gender roles in theatre
  • preventing diabetes being the ultimate decolonisation: One the Bear
  • Changing relationship with food, challenging relationship with sex and women
  • South Africans and diabetes and introduction of sugar
  • “Spiritual underpinning of diabetes, is unrequited love” – Candy Bowers
  • Empowering yourself, on others terms
  • “The process of decolonisation is so much about self care and self loving…Pure nurture” – Candy Bowers , an opposition of the structure and binaries of colonials
  • “You don’t fight possession with possession” – Candy Bowers
  • Growing self worth
  • Legacies and monogamy
  • Period blood and spinster-ism

“Decolonisation isn’t colonisation” (by a different group)

Candy Bowers

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Anna May Kirk

Curator: Anna Kirk

“Do less. Do it better.”

Anna May Kirk

Anna May Kirk is an emerging curator, artist and project maker based in Sydney, Australia. She currently holds positions as the Executive Producer of Arts and Culture at FBi Radio and the Coordinator of AD Space. 

  • Casula Powerhouse installation work
  • Finding the creative process
  • Running dancing workshops
  • Being the performer and conducting the performance
  • Queer Nu werks performance work
  • Imagining the future as an inquisitor and artist
  • Making scent
  • The body as a home for many
  • Making social comments in curating and presenting artworks

“Art making is kinda impulsive… An itch to be scratched”

Anna May Kirk

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