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Sam Hertz is a Berlin-based sound artist and researcher working at intersections of Earth-based sound, sonic sensualities, and climate change.
“It’s impossible to separate sound from the performers or the movement methodology”
Sam Hertz
points discussed:
- Aeroscene Project
- anthropocene
- sensuality
- Renae Shadler
- mediated aural interaction
- shadow feeling IMAX work
- Left ear to right brain hemisphere:indianapublicmedia.org/amomentofscience/right-ear-left-ear/
- the notion of efficacy
- politics
- legibility
- sound below the level of human hearing/ that escapes public consciousness
- our place in the world
- our sense of time
- environmental sensuality
- Temporary Art Review
- Jess Curtis
- building a piece together
- low vision collaboration
- stealth access
- controllerism
- Opera North
- active and passive activity
- implying the wrong thing
- earth sound
- disappearing of bio-mass
- changes in acoustic environments
- to live in a mediated environment
- spatialized sound
- expanding the way that sound is presented
- hearing
- autonomic system
- listening to music vs podcasts
“movement and/or sound related to questions of ecology and climate change”
Sam Hertz
links to publications:
- aerocene.org/newspaper/
- temporaryartreview.com/good-news-bad-weather/
- www.anthropocene-curriculum.org/pages/root/campus-2016/knowing-in-the-anthropocene/the-floating-ear-aero-acoustic-emissions-and-perception/
more info:
