Alice Gale-Feeny

“Seeing what can happen when we observe very basic things”

Alice Gale-Feeny

Alice Gale-Feeny is an artist working with performance, video, writing and facilitation. Interested in dialogical ways of working, non-theatrical techniques, processes of improvisation and the voice, her work examines the relations between individual subjective experience and shared space. 
We cover.

  • Commonalities between teaching and performing
  • How to Arrange Ourselves 
  • A consideration of space
  • Two Speakers, One Speaker (A Hall, A Room) 
  • Dialogue and discussion, David Bohm, On Dialogue
  • The suspension of disbelief
  • Feeling illiterate
  • Crafting performance and responsibility
  • Want to value self subjectivity by valuing others
  • Searching for conditions of connection
  • Putting faith in the situation
  • Starting a Masters in movement
  • weaving out embodied practise from bullshit
  • Questioning intention, discipline and ethics

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Cui Yin

Photo by Jai Rafferty

“Making art happen better”

Cui Yin

Cui, pronounced as tsuèi is an independent producer and arts / project manager based in Singapore. Exploring the intersection(s) between anthropology, art, and social action. We cover.

  • The business of making art and making art happen
  • What do you do when you artistically and creatively disagree?
  • Wombat toys
  • Pushing back arts as an industry
  • Dance as a circular economy
  • Questioning instincts and impulses
  • Super-powers, the power of conviction!
  • Being responsive and to considerately see
  • Being meaningful for the people involved

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Jazz Luna

“Remind myself to be gentle, always”

Jazz Luna

Jasmin Luna is an Australian based, freelance, movement artist. Born and raised in Sydney, Jasmin has performed in The Royal Opera House of Muscat’s Lakme, Opera Australia’s Aida at the Sydney Opera House. We Cover.

  • Readymade residency, writing and conceptual processes
  • What are you thinking about when you’re making
  • Single use friends and single use plastics
  • Showing this issue of plastic through art
  • What led you to dance
  • The process of creating dance
  • Finding representation in movement
  • How to approach, “unwanted movement”
  • Recycling plastic
  • What are you trying to achieve in the residency
  • What’s your biggest hope for the work

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