Eilit Marom (part 1)

“if i get a bit longer eye contact, it’s such a powerful tool, it changes the dynamic of the room” – EM

Eilit Marom is a dancer, choreographer and teacher.

we cover:

  • people who cannot hide
  • experimenting with social norms
  • ones moving affecting the people one is talking to
  • sharing vulnerability to get connected
  • abuse to power of the stage
  • liquids of the body
  • performances being good in the same way
  • a tendency to get either depressed or anxious
  • living in israel vs netherlands
  • knowing what you don’t want but not knowing what you do want
  • strategy
  • fascination starts when you notice
  • thomas metzinger
  • “i guess it’s like choreography but more powerful” EM

 

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Nerida Ross

“being a producer, the two most important things are feeding people and telling them what time it is” – Neridah Ross

“stuff leads to stuff” – Nerida Ross

Nerida Ross gets excited about things and making them happen. She also dances excellently at events like after pARTY (co-founded with Anna Kirk) and spreads the good word for FBi Culture guide.

we cover:

  • knowing your capacity
  • not faffing
  • valuing peoples time
  • “doing things with other people is way more fun”
  • Lewis McKirdy (of JJJ) todo list tattoo
  • games theory = giving scaffold
  • top down resources meeting the grass roots resources
  • a systemic lack of trust
  • science funding
  • no strings attached money = experimentation
  • doing is like walking – steps to take
  • competence to fuel confidence
  • “giving yourself the permission to work” – matt cornell
  • “knowing what to be stressed about” – Neridah Ross
  • attending to the sick and attending to the well
  • “i want nice people to win in this game” – Neridah Ross
  • stability vs creativity
  • “dance more, be content with where you are” – Neridah Ross

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Cobie Orger

Cobie Orger is a dance & video artist merging her diverse skills to produce a range of video and performance work for corporate, education and artistic purposes.

 

we cover:

  • turning music into dancing
  • the choreographic and compositional process – mutual influencing
  • the loss of newness
  • keeping interested
  • the point of diminishing returns
  • surfing and learning the drums
  • chasing tail vs following nose
  • the utility of dogmas in rigorous process
  • “I rely on being interested” – Matt Cornell
  • “the journey is the way and the outcome”
  • partnering with the unknowns

 

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